A brief and definitely eclectic list of cinematic nautical, piratical, or generally swashbuckling Hallowe’enish romance and adventure while I try to finish part three of The Duel on the Beach. Enjoy!
The Ghost and Mrs. Muir
A widow, a sea captain’s ghost, a haunted house, and true love–one of the great films of fantasy intersecting reality. Starring Gene Tierney and Rex Harrison. Twentieth Century-Fox, 1947, based on the novel by R. A. Dick.
Pandora and the Flying Dutchman
The Flying Dutchman in the modern era: lost wandering souls, ancient sins, excellent insight into human nature, with spellbinding action and story, plus true love. An outstanding, elegant, sophisticated film starring Ava Gardner and James Mason. The New York Times has a short but updated review on a new digital transfer here.
The Spirit is Willing
Nautical in the sense of a sea captain’s ghost, not to mention those of his wife and mistress, the cellar ghost scenes in this comedy of sex, mores, and manners frightened me into nightmares for weeks when I was eight or nine years old, humor notwithstanding. Paramount Pictures, 1967. Starring, among others, Syd Caesar and Vera Miles. Based on the novel The Visitors by Nathaniel Benchley.
Lighthearted, lightweight, fun, much more enjoyable than The Spirit is Willing (and rated G too), and with the coolest old pirate house ever filmed even if it was probably only paint-on-glass. Starring Peter Ustinov, Dean Jones, and the ever enchanting, ever captivating, down-to-earth Suzanne Pleshette. Based on the novel by Ben Stahl.
Pirates of the Caribbean: The Curse of the Black Pearl
Not as much a true pirate swashbuckler as it is swashbuckling pirate ghost story with a host of other fantasy nonsense added as well, in spite of its inspiration from the Disney ride depicting buccaneers sacking a hapless Spanish town. Declares Captain Barbossa to his captive and captivating Elizabeth Swann: “You best start believing in ghost stories, Miss Turner… you’re in one!” Starring Johnny Depp, Kiera Knightley, et al. Walt Disney Pictures, 2003.
The Black Castle
By no means a great film, yet still an enjoyable diversion, with swordplay (albeit mediocre), a dark castle, a Green Man tavern, evil villains including a one-eyed swordsman, alligators in the dungeon (why not?), coffins with living occupants, and, naturally, a fair maid in distress. Starring Boris Karloff, film swashbuckler Richard Greene, Lon Chaney, and Paula Corday. Universal, 1952.
The Brotherhood of the Wolf
Last, the only film on the list truly bordering on twenty-first century modern horror in style, but with a cross-genre historical costume swashbuckling cape and sword twist. Based on the true story, never solved, of the Beast of Gévaudan. In this telling, the chevalier de Fronsac and his Iroquois friend Mani (a specialist in Eastern martial arts no less) investigate tales of the beast on behalf of the King. I’m not usually a fan of Eastern martial arts anachronistically slapped onto Western martial arts in period films set in Europe or the UK, but it more or less works this time–and it’s fantasy, after all. Starring Samuel Le Bihan, Mark Dacascos, Émilie Dequenne, Monica Bellucci, and Vincent Cassel. Canal+, 2001.
Copyright Benerson Little, 2020. First published October 15, 2020.
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