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Ghosts & Monsters for Halloween: Cinematic Nautical Romances & Swashbuckling Adventure

Blackbeard’s Inn from Blackbeard’s Ghost. Walt Disney Productions, 1968.

A brief and definitely eclectic list of cinematic nautical, piratical, or generally swashbuckling Hallowe’enish romance and adventure while I try to finish part three of The Duel on the Beach. Enjoy!

The Ghost and Mrs. Muir

A widow, a sea captain’s ghost, a haunted house, and true love–one of the great films of fantasy intersecting reality. Starring Gene Tierney and Rex Harrison. Twentieth Century-Fox, 1947, based on the novel by R. A. Dick.

Lobby card with a superimposed image of Gene Tierney not from this film but from another, doubtless to drive sex appeal. Ms. Tierney is buttoned up head to toe in the movie (see the image below), given the period in which it’s set. Titillation drives advertising, but the film is far more sophisticated.

Pandora and the Flying Dutchman

The Flying Dutchman in the modern era: lost wandering souls, ancient sins, excellent insight into human nature, with spellbinding action and story, plus true love. An outstanding, elegant, sophisticated film starring Ava Gardner and James Mason. The New York Times has a short but updated review on a new digital transfer here.

The Spirit is Willing

Nautical in the sense of a sea captain’s ghost, not to mention those of his wife and mistress, the cellar ghost scenes in this comedy of sex, mores, and manners frightened me into nightmares for weeks when I was eight or nine years old, humor notwithstanding. Paramount Pictures, 1967. Starring, among others, Syd Caesar and Vera Miles. Based on the novel The Visitors by Nathaniel Benchley.

Blackbeard’s Ghost

Lighthearted, lightweight, fun, much more enjoyable than The Spirit is Willing (and rated G too), and with the coolest old pirate house ever filmed even if it was probably only paint-on-glass. Starring Peter Ustinov, Dean Jones, and the ever enchanting, ever captivating, down-to-earth Suzanne Pleshette. Based on the novel by Ben Stahl.

Pirates of the Caribbean: The Curse of the Black Pearl

Not as much a true pirate swashbuckler as it is swashbuckling pirate ghost story with a host of other fantasy nonsense added as well, in spite of its inspiration from the Disney ride depicting buccaneers sacking a hapless Spanish town. Declares Captain Barbossa to his captive and captivating Elizabeth Swann: “You best start believing in ghost stories, Miss Turner… you’re in one!” Starring Johnny Depp, Kiera Knightley, et al. Walt Disney Pictures, 2003.

The Black Castle

By no means a great film, yet still an enjoyable diversion, with swordplay (albeit mediocre), a dark castle, a Green Man tavern, evil villains including a one-eyed swordsman, alligators in the dungeon (why not?), coffins with living occupants, and, naturally, a fair maid in distress. Starring Boris Karloff, film swashbuckler Richard Greene, Lon Chaney, and Paula Corday. Universal, 1952.

The Brotherhood of the Wolf

Last, the only film on the list truly bordering on twenty-first century modern horror in style, but with a cross-genre historical costume swashbuckling cape and sword twist. Based on the true story, never solved, of the Beast of Gévaudan. In this telling, the chevalier de Fronsac and his Iroquois friend Mani (a specialist in Eastern martial arts no less) investigate tales of the beast on behalf of the King. I’m not usually a fan of Eastern martial arts anachronistically slapped onto Western martial arts in period films set in Europe or the UK, but it more or less works this time–and it’s fantasy, after all. Starring Samuel Le Bihan, Mark Dacascos, Émilie Dequenne, Monica Bellucci, and Vincent Cassel. Canal+, 2001.

Copyright Benerson Little, 2020. First published October 15, 2020.


2 Comments

  1. Philosopher Pirate says:

    A one eyed swordsman… How would that work? I’ve had trouble with my left eye and I know from experience how hard it is to see distance with only one eye. Even opening a door or putting a cup on a table was an effort. Let alone fighting! (I know this subject is also discussed in The Golden Age of Piracy.)

    Like

    • My brother, who lost an eye in rather swashbuckling fashion of which I’ll say no more, says everything’s difficult with one eye. A while back I had a one-eyed fencing student, she had to focus on blade contact, practice which over time lent her a better sense of distance than her eye permitted, and similar drills also based much on blade contact. She managed pretty well but it was still difficult. At first it was easy to tell that her depth perception was clearly affecting her fencing. But she was diligent and managed to compensate over time. Still, as my brother says, you won’t see someone coming on your blind side… I’ve a blog on pirates and eye patches here: https://benersonlittle.blog/2017/07/19/did-pirates-wear-eye-patches/

      Like

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